Download now!

22 Jun

You can now download issues of Awen and The Supplement (as well as DJ Tyrer’s fiction ebook, Black & Red) for free from this site. New issues will be added regularly. Enjoy!

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The Problem with Inclusive Publishers

8 Jun

These days, more and more publishers are touting their inclusive credentials, stressing that they’re open to a diverse set of contributors. The argument is that, in the past, women, non-white and other minority writers didn’t feel welcome. Primarily, this seems to be an American and large press debate – the British small presses have long been welcoming to a diverse cast of authors and poets – but it is certainly the trend of the moment and, in many ways, a welcome one.

Some publishers, such as Black Girl Magic (issues are available on Amazon) do an excellent job, promoting characters that aren’t often seen in the mainstream and welcoming all sorts of writers. But, others, unintentionally, aren’t so welcoming. The main problem is that, naturally, wanting to welcome a diverse set of writers, they enquire rather intrusively into the lives of would-be contributors. Whereas Black Girl Magic, an excellent example of how to be welcoming, makes answering such questions optional, some make it compulsory. Yes, you could lie or put ‘not applicable’, but it does come across a bit strong. Not everyone wants to share personal details (actually, I’ve been more willing to do so with Black Girl Magic because I didn’t feel badgered). Then, there are those that disbar people who aren’t one of the groups they’re promoting from submitting – not only do I find this off-putting when I qualify to submit, but it’s problematic if you don’t neatly fit in a niche (of course, you can query, but that’s a problem if you’re not keen to discuss yourself with strangers).

Then, there are those that require (that’s require, not request) an author photograph. I suppose you could supply a fake or a non-portrait photo, but it’s not welcoming to people who might have an issue with their image being available online. And, of course, there are those publishers, mainly American, that ask for your ‘legal name’. In Britain, there isn’t actually such a thing, although many people doubtless assume there is and banks and such institutions often act as if there is (it’s actually a complicated topic). Of course, it’s a problem if you have a contract to sign (not that they’re usually worth the data saving them to your hard drive), but it does raise problems for people whose identity isn’t clean cut – the sort of people you might wish to include amongst your writers…

The irony is that, while I’ve found the majority of self-proclaimed inclusive publishers have at least one of these issues, many that make no such claims are actually far more welcoming. But, then, I think the vast majority of editors are only interested in high-quality writing and not who wrote it. I just hope that not too many people are being put off submitting their work by either unintentionally unwelcoming inclusive editors or repeated tales of how other editors aren’t so inclusive. Most are. Try them.

Equal Opportunity Madness!

26 May

EOM: Equal Opportunity Madness – A Mythos Anthology by Otter Libris

In the depths of the cosmos there is madness to be found and there are stories to be told…

H.P. Lovecraft first unveiled his dark and twisted vision of human insignificance to a wide audience with the publication of his short stories beginning in the early 1920s. He became a significant influence on horror writers and readers around the world and left a profound imprint on the horror genre itself. But something was missing in his work, things like positive portrayals of people of color and strong women.

Lovecraft is one of those problematic authors who created astounding work, but carried personal attitudes that most modern audiences find repugnant, like racism and anti-Semitism. Whether or not he was also a misogynist is a topic of spirited debate, but there is no question that his work lacks female characters, and when they are present they portrayed as weak or evil.

And then a group of feisty writers and one plucky little independent press, Otter Libris, decided to fill in some of the gaps in the Mythos….

What began as a joking suggestion to write stories that would make Lovecraft roll in his grave grew into the little anthology that could – EOM: Equal Opportunity Madness. Why should straight, white men of Anglo-Saxon descent get to have all the maddening fun?

EOM includes stories from writers in America, Canada, the United Kingdom, and Greece, and the protagonists are male and female, straight and not, and come in a wide variety of skin tones. Come enjoy all the madness of the Mythos in a rainbow of colors with EOM: Equal Opportunity Madness from Otter Libris, soon to be available in trade paper edition and your favorite e-book flavor.

Visit our Kickstarter and make sure you’re the first on your street to go mad!

Review of Chasing Cloud

28 Apr

Chasing Cloud is a novel by David M. Smith available in paperback and on Kindle from Amazon. Subtitled ‘A Tarxian Novel’, you may imagine it is a fantasy novel, but, while it may well appeal to fans of fictional worlds, it’s actually set in ancient Malta during the Copper Age (although Smith, naturally, has had to be inventive with the minimal evidence available).

Chasing Cloud

The priest Lamaxe finds his life disrupted by the disappearance of his childhood friend, his burgeoning relation ship with a sculptress working on the temple, and a mission to bring back an idol of their goddess to enhance the temple’s standing, requiring him to leave the island. The search for the missing girl, the titular Cloud, and the journey to Sicily to explore a different culture, drawing upon what little is known through archaeology and extrapolating convincingly.

The mystery of Cloud’s disappearance is an effective plot that both provides the skeleton upon which to hang other adventures, such as encounters with pirates, and leads to a showdown of its own, one that will change Lamaxe’s life forever.

Smith has produced a fine novel that will appeal to fans of historical fiction, mysteries and, quite probably, fantasy fans in search of something a bit different, although it is relentlessly mundane in nature. It has an accessible ‘young adult’ feel to it, without compromising on the setting. About the only potential flaws are that it was a little slow to get going, which may put off those readers who have to be constantly stimulated with action, and there is a little sex (neither graphic nor out of place) that prudish readers may be uncomfortable with, as well as references to animal sacrifice that, while not particularly gory, may be off-putting to those who find the thought of any harm coming to animals unpalatable.

Those minor caveats aside, Chasing Cloud is an enjoyable read, unusual and intriguing, that I’d definitely recommend.

Locum Who?

8 Feb

Peter Capaldi is going and it’s time to find a locum to fill the famous Doctor’s shoes…

Along with a black James Bond, a female Doctor Who with a male companion is the most common ‘politically-correct’ change to an established character that crops up. I’ve advocated a black Doctor in the past – not for any reason other than because there have been some excellent black actors who would be perfect for the role. But, a female Doctor wouldn’t sit right with me.

Let’s tackle the male companion first. There’s no reason a male Doctor cannot have a male companion. In the first half of the original series, there usually was a mixture of male and female companions, and often of age. By the end of the original series, there was usually only one companion, who was female and this has been common since the revival. While it originally arose from the idea that a ‘bit of totty’ would attract the dads, I think the reason it was retained was because, especially with the example of the final original-series companion, Ace, a strong female companion made a good counterpoint to the male Doctor. But, there’s no reason why the companion must always be female, young, or in the singular. The companions offer plenty of opportunity to mix things up.

But, the Doctor is a constant.

Of course, we’ve had a female incarnation of the Master (‘Missy’), but that twist worked because the Master has a history of running out of regenerations, stealing bodies and meddling with his biodata. That he would transform into a woman is almost a logical outcome of his adventures in identity. Yes, the Doctor has run through his regenerations quickly and seems to have messed with his biodata, but not to the same extent – and making gender a choice raises all sorts of questions of why he always chose to be male before, but has changed his mind now.

But, more than my feeling that it doesn’t really fit in with the established continuity of the series, is my view that the demand for a female Doctor is horribly sexist. There’s no need for the Doctor as a female role model – if people wanted a female Timelord, why not produce a series featuring Romana? – while the Doctor represents a male character who doesn’t pander to typical male stereotypes. He’s rarely violent, he’s intelligent, academic and quirky, he’s tolerant and kind. In a world where too many male role models are the opposite, he’s a welcome alternative.

Introduce a Romana series, by all means (after all, The Sarah Jane Adventures were excellent), but don’t deprive boys of the wonderful role model who is the Doctor.

Worst Witch review

13 Jan

19 years ago, ITV produced a series based on the Worst Witch books by Jill Murphy (providing the now-famous Felicity Jones with one of her first acting roles). Now, the BBC is making its own series based upon the misadventures of Mildred Hubble (first chronicled in print way back in 1974). A tough act to follow!

The 53-minute opening episode of the series (officially episodes one and two, rolled into one) is currently available to view on BBC iPlayer. As a fan of the Worst Witch in all its formats, I was interested to see how this adaptation fared.

The opening seems to be aping Harry Potter, to the extent that Maud (who seems far more clumsy than Mildred in this version) broke her glasses and had them magically mended. However, Mildred’s briefly-shown towerblock home-life doesn’t exactly  compare to Harry’s awful childhood and the introduction of a masquerade (never explicitly stated in earlier versions) didn’t really add anything to the story.

Mildred and Maud were passable – I did think Mildred looked more like Tracy Beaker than Mildred Hubble, although she grew on me towards the end – but Ethel was spot on. Hardbroom and Cackle were both good, although they didn’t manage to eclipse the portrayals of the characters in the ITV series. Overall, the acting was somewhat variable, although stronger towards the finale, and, while the visual presentation was good, the episode itself was somewhat uneven in tone, especially as it seemed to be trying to present the setting more seriously, yet veered sharply into humour at times. However, it is likely that the players will settle into their roles and the tone of the series stabilise as time goes on, so hopefully these are temporary niggles – and, not too serious ones, at that, if I’m honest.

Given that the plot of the first book was used as the plot of the Worst Witch movie, in addition to the opening episodes of the ITV series, the BBC bravely chose not to rehash it for a third time. Instead, they distinguished their version by crafting (pun intended) an original opening that loosely drew upon Agatha Cackle’s plot (in the book) to take over Cackle’s Academy from her sister. It’s possible purists might not be happy about it, but it works well enough and offers something new to those of us who’ve seen previous versions on the screen, without diverging too far from the source material.

Overall, it does a passable job of relaunching the Worst Witch for a new generation and I’m certainly going to watch future episodes to see how it develops, although I doubt it will displace the ITV series from my affections. Of course, while it will inevitably be compared to the versions that came before, it really isn’t for an adult to judge it. The real test is whether kids, who are probably unaware of the ITV and film adaptations, respond to it. I suspect it will win fans. For parents who might be wondering whether they should encourage their children to watch it, I can say that this first instalment presents no reason not to and is likely to entertain them. Definitely recommended!

It’s Christmaaasss!

16 Dec

Yes, it’s the festive season and writers’ thoughts are turning to snow, decorations and Dickensian ghostliness. The problem is, if you’re writing a story or poem now, it’s too late to submit to an editor. Indeed, even if you submitted work in the last two or three months, it was probably too late.

Draw inspiration now, but you need to know when it’s best to submit your work (indeed, the same goes for other festivals, seasons and anniversaries – often you will need to submit three months to a year early). Most editors will want to receive submissions by September at the latest, some will want it by June. A few will want festive submissions as early as January or February. Keep an eye on their deadlines, but if a magazine doesn’t have a specific festive issue, look for ones planned for release in November or December and consider submitting something festive that fits with their theme.

As far as Atlantean Publishing goes, our primary festive publications are Christmas Chillers and Xmas Bards and I want submissions by October at the latest. Festive issues of Garbaj and Bard sometimes appear – based upon whether I’ve had sufficient submissions to warrant it – and the second Monomyth of the year is usually late enough that festive submissions will be considered. Likewise, there is an annual horror poetry booklet release for Hallowe’en and there are often issues of Bard (and sometimes Garbaj) that reference the seasons, Valentine’s Day, Hallowe’en, etc; I need to receive submissions at least a couple of months in advance.

So, put pen to paper (or fingertips to keyboard) and produce something seasonal and send it to Atlantean or another publisher when the time is right!